Anne Rothenstein’s exhibition of new paintings comprises portraits, landscapes and interiors. Often working on panel, she layers thin washes of oil to suggest ripples, cloud and wave patterns which lend a sparse, elemental composition rhythm and depth.
This group exhibition, A place for modernism, brings together five artists, whose work responds to the wide-ranging legacy of modernism. Rather than treat the movement as a closed historical episode, Josiah McElheny, Carrie Moyer, Hasani Sahlehe, Arlene Shechet and Dan Walsh view modernism as a perennial method that can be adapted to address the political […]
Zoe Walker and Neil Bromwich’s projects bring together utopian, socialist and animist ideals to create festival-like spaces for communities to come together around issues related to climate change and social justice. Searching for a Change of Consciousness draws together work made with different communities, in Wales, Denmark, and the Colombian Amazon.
In Lorena Lohr’s exhibition Motel Nudes a predominant message emerges of the potential of taking a moment alone as a woman.
Four Tapestries, is an exhibition by Susan Morris. The show includes three new works from the Binary Tapestry: Sunshine series, each of which records the amount of light exposure the artist experiences over years (2010, 2011 and 2012). The fourth work records her sleep/wake patterns, alongside concurrent light exposure, over a period of the same […]
HEXEN 5.0, is a collection of tarot cards, diagrams and AI-prompted works that reimagine the visual language of alchemical drawings of the 13th - 18th centuries. In HEXEN 5.0, Suzanne Treister addresses the climate emergency and looks at fields which may lead to better solutions for returning the planet towards a self-regulating system.
Diaries, is an exhibition of work by Celia Paul. The fifty five works on paper capture poignant moments of significance between 2011 and 2024. In an intimate, diary-like manner, Paul depicts the people, landmarks and landscapes deeply connected to her daily life.
This exhibition offers a comprehensive overview spanning nearly 40 years of paintings, by Maeve Gilmore, (1917-1983). It includes works on paper and objects, contextualised with images of her hand painted murals, which once covered the walls of the family home in Drayton Gardens, Chelsea.
An exhibition of works by Fiona Banner aka The Vanity Press. In this show the artist continues to explore language, conflict and gender through a range of media, including drawing, sculpture and the moving image.
Eunjo Lee is an artist and filmmaker, who works primarily with 3D experimental animation and video art. Within mesmeric digital realms, Lee’s work employs immersive world-building to construct ecological narratives that emphasise the interconnectedness of all beings.
Hegemonic Log(s) And Two Benches, by Alice Wilson is interpreted as several protagonists airing a long, drawn–out parlance, each seeking to justify its presence on a platform constructed in a far more functional derivative to the materials of that on top. A detail not lost on the Matter of Facts.
Malware presents new tapestries, tuftings, and videos by Qualeasha Wood. This body of work examines overconsumption and consumerism, considering how identity can persist and transform in the face of systemic failure.
This exhibition's title Terra Firma, denotes substance: dry land, solid ground. In these uncertain times, the works of Isabella Dyson, and her father Chris Dyson, convey stability in landscapes and still life paintings, and in buildings that endure.
Morehshin Allahyari's exhibition features her latest work, Speculations on Capture (2024), a newly commissioned piece. Allahyari’s poetic film explores the histories of astronomical instruments crafted in Iran and Pakistan,
Long Before the Walls, an exhibition by Ana Bidart, which introduces a constellation of newly commissioned, site-specific installations and interventions at the gallery.
Nora Turato: Pool7 presents new work by the artist, spanning performance, writing, graphic design, video and sound. The installation investigates our collective relationship to language and communication.
Der letzte Tag ist der schlimmste (The Last Day is the Worst) presents new works by Martha Jungwirth. Known for a colour palette that dwells in a corporeal and sensuous register of pinks and reds, some of these latest works feature bold, bright yellows and turquoise hues.
Tender Women is the latest exhibition the The Women's Museum exhibition programme Desire Lines. Sahra Hersi is an artist and spatial designer who lives in Barking and describes her work as “caring about people, places, art & architecture, in that order.”
This show will display Susan Wilson’s recent body of work, which explores London's urban landscape, particularly the dynamic and multicultural neighbourhoods of Notting Hill and Ladbroke Grove, near to her North Kensington studio since 1985.
For this show, History Painting, Cornelia Parker has created a series of paintings: seemingly abstract oil-on-canvas works inspired by historic newspaper and magazine covers and colour analysis charts.