This is Christiane Baumgartner's fifth solo exhibition with the Cristea Roberts Gallery. It will present a new body of work developed by the artist over the last two years. Large-scale woodcuts of landscapes and seascapes are paired with ethereal views of sunsets and horizons as well as previously unseen oil drawings. Although these works may first […]
Citra Sasmita’s first solo UK exhibition, Into Eternal Land, includes painting, installation, embroidery and scent, offering a sensory exploration through ancestral memory, ritual and migration. Her practice often engages with the Indonesian Kamasan painting technique, dating from the fifteenth century, and traditionally practiced exclusively by men.
Embodied Activism showcases Sivan Rubinstein’s interdisciplinary practice through dance, projection, and installation. This exhibition explores relationships between bodies, spaces, and urgent global issues.
Woo Jung Ghil’s paintings in, Savouring Silence, are meditative odysseys into the depths of the human psyche, each work reflecting a search for mental clarity and stillness. Through her practice, she visualises an “ideal state of mind” – a space or sanctuary of introspection, where the existential burdens humans carry, particularly the false sense of […]
"I'm drawn to how we represent ourselves and our environments through the ages. How historically fashions evolve, imperceptibly sometimes, resulting in every era having its own distinct style." Morwenna Morrison's aim is to transform the historical into a contemporary experience by introducing interventions, which create a dialogue that compares and contrasts our ideas around time. […]
Heather Agyepong’s exhibition, Through Motion, offers a mini-retrospective of her multi-disciplinary creative practice. The idea of the body as an archive is central to Agyepong’s practice and this exhibition. Her performance is soundtracked by interviews with Black British women in trauma recovery, connecting and contextualising her own process of repair.
Spanning three decades of Barbra Hepworth’s career, this exhibition focuses on her stringed sculptures in a comprehensive range of materials and sizes from large-scale works in wood and brass to small-scale works in bronze.
Bianca Raffaella's Faint Memories, features a collection of textural flower paintings that evoke the artist's experience of beauty in braille, which was how she first learned to read and write. Raffaella relies on touch in her painting process. Never losing contact with the canvas, she blends delicate hues and dusty colours until they become an ethereal […]
The Cave in the Mind, is a group show featuring the recipients of the 2024 Girl Power Residency, held in the Aquitaine region, Southwest France. The exhibition presents new work by Melania Toma, Paula Turmina and Atalanta Xanthe, which allude to cave paintings and their predetermined vocabulary of motifs; other artists created works that imbue the ambience […]
Holding Space, is an exhibition exploring points of connection in the work of artists Anina Major and Lavar Munroe. Drawing on their separate, formative years, Major and Munroe’s work is infused with ideas of home, migration, identity and heritage; exploring what it means to belong and how making can carry stories forward, honouring ancestral and […]
Francine Tint's exhibition, Radical Acts of Beholding, which embodies her spirit of abstract expressionism, is a showcase of her works and celebrates the painter’s remarkable career, while introducing her dynamic, gestural paintings to new audiences.
The paintings in Angela Maasalu’s exhibition Taking Courage seem to belong to the surrealist tradition. Here, the disturbing is presented for enjoyment and analysis
Rosie Gibbens’ Muta is a two-part sculptural presentation. Gibbens' work explores gender performativity and consumerist culture as it relates to the female form, combining an absurdist humour with abject aesthetics.
Tianyue Zhong’s exhibition Between Earth and Tide presents a series of paintings comprised of the unseen and foundational rhythms of landscape and gesture.
Harriet Pozanasky’s multi-disciplinary exhibition Pin Up explores themes of female subjectivity, desire and autonomy through painting, drawing and sound.
Ulrike Müller’s Beside Myself explores her fascination with the production and manufacturing of things through tales, images, patterns and materials produced in good quality by small 20th Century facilities.
‘Crackers for Lorelei’ presents a series of colourful oil paintings. The exhibition is supported with a grant from Culture Ireland.
Alia Ahmad’s vibrant, expressionistic paintings draw inspiration from memories and observations of her native Riyadh; informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life.
Sue and Terry Atkinson's exhibition combines drawings and paintings with a prescient relationship to current geopolitical events. The work of both artists have focussed on overtly radical subject matter since the 1960s, with the potency of their work becoming stronger over time.
Ella Kruglyanskaya's show 'Shadows' will assemble a group of new paintings that explore the nature of artistic influence and the enduring conversation about the future of painting. Kruglyanskaya’s monograph, Too Much, has been published to coincide with this exhibtion.