The Sixties, is an exhibition of works by Lynne Drexler (1928–99), who is often associated with the second-generation Abstract Expressionist movement of the late 1950s and 1960s. This exhibition includes paintings, works on paper and mixed-media collages from a formative period in her artistic career.
Earendel, is a solo exhibition of new work by Ayla Tavares. Starting from the recent discovery of Earendel—the most distant star detected to date, a remnant from the universe’s first billion years—Tavares considers the interplay between archaeological and sacred artifacts, daily objects and cosmic events to evoke connections between past and present. In this new […]
Oddkin: Beast, Body, Biome, is a group exhibition featuring paintings, sculptures, and mixed-media works by Lila de Magalhaes, Jessie Makinson, and Li Li Ren. Across their practices, these artists delve into worlds where the human and non-human intertwine, exploring their hybrid nature in form, figure, and material. The exhibition is conceived as a living organism, […]
The works on view by Carmela De Falco, Semin Hong, Magdalen Wong, and Orsola Zane share a sense of conflation between internal fears and external realities. Mobilising a search for intimacy, they trace a lost proximity against the havoc of this epoch. Background noise was born as a quest into the possibilities of sound and music […]
The Horizon Pulled Me Close is an exhibition by Myrna Quiñonez, which presents a series of paintings that explore the artist’s relationship to landscapes both familiar and uncanny.
Read-Only Memory, is a two person exhibition bringing together new and recent work by Amelia Bowles and Caroline de Lannoy. Their work references technological, societal, aesthetic and conceptual developments of the latter part of the 20th century as cornerstones of our world today. The exhibition is centred around a hard-coded timeless language shared by the two […]
A comprehensive presentation of Joan Snyder’s artistry over a career of six decades, shows a pioneering body of work. It breaks down social, aesthetic and material hierarchies to assert the place of feeling and female subjectivity within contemporary abstraction. The painting that gives the exhibition its title, Body & Soul, encapsulates an overview of the […]
This exhibition Still Mad, marks the culmination of Ding Hongdan's residency as the gallery's 2024 Artist-in-Residence and presents a new body of work developed during this period, which are rendered in bright, glossy oils and stylised strokes. Ding’s collection of paintings en masse is a dip into image-obsessed youth. It echoes internet culture and young […]
Jann Haworth is a pop artist, whose wit and material sensitivity contributes towards her artistic individuality. Haworth is recognised as an advocate for female representation in the art world and uses innovative mediums to re-imagine contemporary craft and culture. She is a pioneer in soft sculpture, and her recent and older works are on view […]
This Fashion Commission, Socks: The Art of Care and Repair, by Celia Pym, focusses on the concept of sustainability in fashion and our lives more broadly. The exhibition celebrates the everyday act of mending through darning. The idea behind Socks: The Art Of Care And Repair is to encourage a feeling of resilience, to be able to […]
Georgina Towler's work explores the relationship between space, light and colour inspired by her exploration of the Somerset landscape. Her latest exhibition ‘in not knowing one, we’re without another’ examines the duality and dynamism to be found in landscape and in life.
A multidisciplinary artist, Mani Kambo explores the inner spirit by drawing on her own personal totemic symbols. She is influenced by her upbringing in a household filled with superstition, prayer, and religious ceremony. Kambo’s practice encompasses textiles, fabric dying and printmaking, and is rooted in her family history within the caste system.
This major cross-generational exhibition, Soft Impressions, features work by Helen Cammock, Ingrid Pollard and Camara Taylor. The artists’ shared engagement with printmaking is contextualised alongside works in installation, moving image, textiles and a painted mural.
Amy Hui Li’s exhibition is a deeply personal exploration of materiality, fragility and emotion. Balanced between painting and sculpture, Paradise Lost narrates the process of falling apart and coming back together again, and presents a new series of mixed media works that hover on the boundary between painting and sculpture.
Hilary Heron: A Retrospective celebrates the pioneering work of modernist sculptor Hilary Heron (1923 – 1977). This exhibition seeks to correct the ways that her work has been overlooked in Irish and international histories of modern sculpture. It brings together work from national and international collections, including carvings, welding and castings. Heron was a master […]
This exhibition, Zvakazarurwa, presents new and recent paintings, by Portia Zvavahera. It draws on southern African culture, Christian iconography, traditional European painting and African printmaking, The exhibition shows artworks informed by the artist’s own dreams and the spiritual traditions she grew up with as a child.
Ruby Neri’s debut solo exhibition, Chorus, displays her sculptural works and accompanying drawings. Through this deeply introspective yet accessible body of work, Neri explores the challenges and beauty of everyday life.
Caretaker is an exhibition of paintings by Nova Jiang that explore our uneasy relationships with nature. Jiang’s work is informed by her experience as a young immigrant growing up in New Zealand and her concerns over climate change.
I Should Have Prayed For Other People, is the title of Veronica Fernandez’s exhibition. Her paintings offer dreamlike windows into childhood memories, narrating raw anxieties alongside moments of understated joy and innocence.
Virginia Overton utilises salvaged materials from historic sites to create wall-based public sculptures that are repurposed and reassembled into a new series of sculptures for this exhibition. Informed by line, form and colour the wall-mounted reliefs featured, continue Overton’s exploration of the poetic tensions and inherent ‘otherness’ within her chosen materials.