Remembering will showcase works selected in consultation with Arpita Singh from her prolific career which expands over six decades. This show will explore the full breadth of her practice, ranging from large-scale oil paintings to more intimate watercolours and ink drawings.
Hegemonic Log(s) And Two Benches, by Alice Wilson is interpreted as several protagonists airing a long, drawn–out parlance, each seeking to justify its presence on a platform constructed in a far more functional derivative to the materials of that on top. A detail not lost on the Matter of Facts.
This exhibition presents eight contemporary artists whose works offer vantage points on a world in perpetual crisis. Each artist explores broader conditions of domination and conflict, as well as horizons for survival. Here is a Gale Warning features works by Pia Arke, Justin Caguiat, Rose Finn-Kelcey, Candace Hill-Montgomery, Tomashi Jackson, Tarek Lakhrissi, Anne Tallentire, and […]
Vanessa Bell's exhibition brings her practice into focus, affirming her as a radical pioneer of modernism in her own right. With over 100 pieces on display, the full breadth of Bell’s artistic legacy is explored: from her vibrant paintings to her revolutionary textiles, furniture designs, ceramics, and book covers.
Koak explores identity and human nature through art, spanning drawing, painting, sculpture, and installation. In the Window Set, she captures emotionally charged figures and landscapes, bringing them to life with a unique and seemingly effortless line.
The works in, It Should not be Forgotten, confronts Britain’s “national amnesia” regarding its role in the transatlantic trafficking of enslaved African people and the colonial legacies that followed. The exhibition offers a deeply moving and immersive experience.
Morehshin Allahyari's exhibition features her latest work, Speculations on Capture (2024), a newly commissioned piece. Allahyari’s poetic film explores the histories of astronomical instruments crafted in Iran and Pakistan,
Long Before the Walls, an exhibition by Ana Bidart, which introduces a constellation of newly commissioned, site-specific installations and interventions at the gallery.
The exhibition at Guildhall Art Gallery showcases rarely seen images from the De Morgan Foundation’s collection. It invites visitors to immerse themselves in Evelyn De Morgan’s artistic process, explore her […]
Nora Turato: Pool7 presents new work by the artist, spanning performance, writing, graphic design, video and sound. The installation investigates our collective relationship to language and communication.
Sheila Fell: Cumberland on Canvas is the first major retrospective of Fell’s work in over thirty years. This exhibition brings together 100 works from private and public collections across the country and will explore Cumberland as Fell’s source of artistic inspiration.
This exhibition is dedicated to the pioneering Irish modernists Mainie Jellett and Evie Hone, and will bring together 90 of their works of art. It explores their friendship and shared experiences while studying in Paris during the early 1920s, and traces their careers back to Ireland. The exhibition highlights the early convergences and later divergences […]
Małgorzata Mirga-Tas (b. 1978) creates narrative-rich works using textiles and fabric, producing vibrant large-scale panels that transform perceptions of Romany culture and history. The exhibition will offer an opportunity to consider the Whitworth’s textile collection in a new and nomadic-centric light, while honouring the lives of stateless communities. Mirga-Tas was selected to represent Poland at […]
Der letzte Tag ist der schlimmste (The Last Day is the Worst) presents new works by Martha Jungwirth. Known for a colour palette that dwells in a corporeal and sensuous register of pinks and reds, some of these latest works feature bold, bright yellows and turquoise hues.
Tender Women is the latest exhibition the The Women's Museum exhibition programme Desire Lines. Sahra Hersi is an artist and spatial designer who lives in Barking and describes her work as “caring about people, places, art & architecture, in that order.”
The exhibition How I Am Monument comprises Ali Cherri's recent mud-based sculptures that take inspiration from archaeological artefacts and the natural world. Cherri’s work interrogates the ways in which political violence is witnessed and disseminates into people’s bodies.
This show will display Susan Wilson’s recent body of work, which explores London's urban landscape, particularly the dynamic and multicultural neighbourhoods of Notting Hill and Ladbroke Grove, near to her North Kensington studio since 1985.
Katy Moran’s exhibition Let’s Get Some Air presents new paintings, which unite the raw, fresh energy of splattered paint with thickets of dense mark making, and translucent washes of colour.
The Prince includes two major new bodies of work by Chantal Joffe. The first series of four large-scale paintings shows Joffe’s partner, Richard. The second series depicts the writer Charlie […]
For this show, History Painting, Cornelia Parker has created a series of paintings: seemingly abstract oil-on-canvas works inspired by historic newspaper and magazine covers and colour analysis charts.